Derrida, Jacques. Translation of De la grammatologie. Of grammatology. Derrida suggests that reading should free itself from the classical categories of history, "and perhaps above all, from the categories of the history of philosophy" (Of Grammatology, lxxxix). According to logocentrist theory, says Derrida, speech is the original signifier of meaning, and the … ... Derrida’s first book was a translation of Edmund Husserl’s “Origin of Geometry,” with a long critical introduction. Of Derrida’s 1967 works, however, it was Of Grammatology that was to remain the most famous. Of Grammatology is a method of investigating the origin of language which enables our concepts of writing to become as comprehensive as our concepts of speech. Of Grammatology (French: De la grammatologie) is a 1967 book by the French philosopher Jacques Derrida, in which the author discusses writers such as Claude Lévi-Strauss, Ferdinand de Saussure, Jean-Jacques Rousseau, Étienne Condillac, Louis Hjelmslev, Martin Heidegger, Edmund Husserl, Roman Jakobson, Gottfried Wilhelm Leibniz, André Leroi-Gourhan, and William Warburton. I have decided to use diagrams as one way of helping readers to grasp what Derrida is saying and, equally importantly, what he isn’t saying. Deconstruction by its very nature defies institutionalization in an authoritative definition. I’ve written a book on Derrida which is intended to be accessible to non-philosophers, and one of the challenges is to explain Derrida’s thought both faithfully and clearly. Derrida's grammatology advances the idea that writing is originary in the same way speech is; there is a perpetual tension without a power struggle. In Of Grammatology (perhaps his most famous work), Derrida hence attempts to illustrate that the structure of writing and grammatology are more important and even ‘older’ than the supposedly pure structure of presence-to-self that is characterised as typical of speech. In particular, it was through this work that he thought he would start to make a … Includes bibliographical references. This was followed by La voix et le phénomène, a critique of Husserl’s Consequently: - Writing cannot be a reproduction of spoken language, since neither one (writing nor spoken language) comes first. The concept was first outlined by Derrida in Of Grammatology where he explored the interplay between language and the construction of meaning. As Royle rightly notes, Of Grammatology is polyphonous; it has multiple voices: On the one hand, it is dry and formal.

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