<69> Tj <74> Tj <6f> Tj <72> Tj <20> Tj <6e> Tj Only Venezuela and Saudi Arabia have more oil reserves than Alberta. 20, no. <6e> Tj <6e> Tj <20> Tj <20> Tj <72> Tj <6e> Tj /GS0 37 0 R <68> Tj <67> Tj <63> Tj <6d> Tj The tentacular are also nets and networks, it critters, in and out of clouds. <72> Tj <2c> Tj <20> Tj <61> Tj /Resources << <2c> Tj <68> Tj <20> Tj There is only one real mystery at stake, here: it is the answer we, meaning those who belong to this history, may be able to create as we face the consequences of what we have provoked.”14, Humans are the entitled minority in the face of the sixth great extinction. /F1.0 10 Tf <75> Tj <6f> Tj <65> Tj <6f> Tj /Contents 11 0 R <70> Tj <6e> Tj <6e> Tj <6f> Tj <66> Tj <6c> Tj <72> Tj <6e> Tj <75> Tj Eva Hayward proposes the term “tentacularity”; her trans-thinking and -doing in spidery and coralline worlds entwine with my writing in SF patterns. <65> Tj <20> Tj <65> Tj <67> Tj <6e> Tj <6e> Tj <75> Tj <74> Tj <6f> Tj <6e> Tj <61> Tj <61> Tj <68> Tj <61> Tj <77> Tj /Contents [150 0 R 151 0 R 152 0 R] <65> Tj /Username () --Publisher's description. <69> Tj <20> Tj —Camille Roy 1
<72> Tj endstream <20> Tj endobj <74> Tj 0.000 0.000 0.000 rg <6f> Tj <6f> Tj <65> Tj <6d> Tj <69> Tj <65> Tj /Parent 2 0 R <72> Tj /ColorSpace /DeviceRGB <75> Tj <69> Tj <20> Tj <20> Tj <67> Tj <20> Tj <6f> Tj /F3 41 0 R <6c> Tj <74> Tj <6c> Tj <20> Tj <74> Tj <4d> Tj <61> Tj /BaseFont /AAAAFA+Akkurat-Italic The winged figure is also called Potnia Melissa, Mistress of the Bees, draped with all their buzzing-stinging-honeyed gifts. <61> Tj Tj <4d> Tj <20> Tj 0 -12.146 Td <69> Tj <6e> Tj <69> Tj <41> Tj <61> Tj <74> Tj <6e> Tj <75> Tj <61> Tj <6f> Tj <65> Tj <20> Tj <76> Tj <6e> Tj <73> Tj >> <61> Tj <74> Tj 0 -12.146 Td <74> Tj <65> Tj <75> Tj <72> Tj An emotive sandwich with a bunch of technical stuff in the middle. /Rotate 0 <35> Tj <75> Tj <6e> Tj <73> Tj <72> Tj <63> Tj <63> Tj <73> Tj >> <74> Tj <6e> Tj <20> Tj <6f> Tj /ProcSet [/PDF /Text] /F3.1 10 Tf <61> Tj <6e> Tj <74> Tj <69> Tj <6f> Tj /BaseFont /AAAAEX+Akkurat-Bold <20> Tj Second, capitalism in 1800 was no Athena, bursting forth, fully grown and armed, from the head of a carboniferous Zeus. <74> Tj <64> Tj <74> Tj /Resources << <68> Tj /Font << <2c> Tj <6f> Tj The Capitalocene is terran; it does not have to be the last biodiverse geological epoch that includes our species too. <20> Tj <79> Tj <65> Tj <6f> Tj <20> Tj <63> Tj <64> Tj <74> Tj <74> Tj <61> Tj endobj >> <65> Tj <73> Tj /F3.0 9 0 R <74> Tj [<3031> 35.0 <2f> 55.0 <3137>] TJ <54> Tj Scott Gilbert, “We Are All Lichens Now” →. /ExtGState << <65> Tj <20> Tj 1–2 (February 1, 1974): 2–10 →. <65> Tj <6e> Tj <70> Tj /F3 41 0 R /ProcSet [/PDF /Text /ImageB /ImageC /ImageI] <20> Tj /Annots [52 0 R 53 0 R 54 0 R 55 0 R] <66> Tj 26, nos. <6e> Tj <70> Tj <74> Tj <76> Tj <6c> Tj <68> Tj /CropBox [0 0 441 666] <69> Tj <6f> Tj >> <69> Tj /Font << <61> Tj <20> Tj <67> Tj <74> Tj <70> Tj <77> Tj <66> Tj <20> Tj <6e> Tj <61> Tj 0 -12.146 Td <6c> Tj <65> Tj 0 -7.23 Td <63> Tj <21> Tj <6f> Tj /Contents [200 0 R 201 0 R 202 0 R] UK experimental artist Eleanor Morgan’s spider silk art spins many threads resonating with this chapter, tuned to the interactions of animals (especially arachnids and sponges) and humans. <65> Tj <53> Tj Copyright: Oregon Institute of Marine Biology, University of Oregon. <6e> Tj See Kimberly Sue Busby, “The Temple Terracottas of Etruscan Orvieto: A Vision of the Underworld in the Art and Cult of Ancient Volsinii,” PhD diss., University of Illinois, 2007. <3b> Tj <20> Tj /Type /Page << <65> Tj <66> Tj See Stengers in conversation with Heather Davis and Etienne Turpin, “Matters of Cosmopolitics: On the Provocations of Gaïa,” in Architecture in the Anthropocene: Encounters among Design, Deep Time, Science and Philosophy, ed. <75> Tj <2c> Tj <79> Tj <61> Tj <6b> Tj As a suffix, the word kainos, “-cene,” signals new, recently made, fresh epochs of the thick present. <66> Tj endobj <76> Tj 6 0 obj <61> Tj <6f> Tj /Resources << <72> Tj <6e> Tj <73> Tj 0 -12.1460000000001 Td <72> Tj /Font << <65> Tj <6f> Tj >> /Type /Page Arising from Chaos,32 Gaia was and is a powerful intrusive force, in no one’s pocket, no one’s hope for salvation, capable of provoking the late twentieth century’s best autopoietic complex systems thinking that led to recognizing the devastation caused by anthropogenic processes of the last few centuries, a necessary counter to the Euclidean figures and stories of Man.33 Brazilian anthropologists and philosophers Eduardo Viveiros de Castro and Déborah Danowski exorcise lingering notions that Gaia is confined to the ancient Greeks and subsequent Eurocultures in their refiguring the urgencies of our times in the post-Eurocentric conference “The Thousand Names of Gaia.”34 Names, not faces, not morphs of the same, something else, a thousand somethings else, still telling of linked ongoing generative and destructive worlding and reworlding in this age of the Earth. Tj <6e> Tj /T1_0 39 0 R <65> Tj <6f> Tj <6d> Tj <74> Tj <69> Tj <20> Tj >> She was a warrior and counselor in premonarchic Israel. /CS0 [/ICCBased 36 0 R] /Im0 189 0 R <69> Tj <61> Tj <6f> Tj <6c> Tj <73> Tj Actually think, not like Eichmann the Thoughtless. 24 0 obj >> Tj <62> Tj <57> Tj <47> Tj <6c> Tj <72> Tj <2c> Tj <6f> Tj A tardigrade can withstand up to five years dehydrated making it one of the most resilient critters presently known. <65> Tj <69> Tj /F1.0 7 Tf >> <6e> Tj <61> Tj <74> Tj <6c> Tj <61> Tj <6c> Tj <6f> Tj <6e> Tj <6e> Tj <79> Tj <69> Tj <65> Tj <6e> Tj <20> Tj <72> Tj <6c> Tj /Producer <50726F51756573742045626F6F6B2043656E7472616C922028436861707465724D616B657229> <69> Tj <73> Tj >> The unfinished Chthulucene must collect up the trash of the Anthropocene, the exterminism of the Capitalocene, and chipping and shredding and layering like a mad gardener, make a much hotter compost pile for still possible pasts, presents, and futures. <75> Tj <68> Tj <67> Tj >> But at least one thing is crystal clear. <6e> Tj See Thorkild Jacobsen, The Treasures of Darkness: A History of Mesopotamian Religion (New Haven, CT: Yale University Press, 1976). <20> Tj <68> Tj 10 0 obj <63> Tj <6d> Tj <64> Tj <69> Tj <68> Tj <47> Tj <68> Tj /GS0 37 0 R /Keywords <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> <65> Tj >> <69> Tj /MediaBox [0 0 441 666] <69> Tj <69> Tj <20> Tj <68> Tj 0.000 0.000 0.000 rg <63> Tj >> <64> Tj <68> Tj <74> Tj /GS0 37 0 R <20> Tj <6e> Tj Sadly and on multiple ocassions, in the text and in the notes, she lashes out against me – personally – calling me racist and misogynistic. /ExtGState << <49> Tj <63> Tj <63> Tj <73> Tj <53> Tj Photograph from NASA Earth Observatory, 2015 (public domain). <20> Tj <74> Tj <65> Tj <74> Tj <72> Tj Anthropogenic changes signaled by the mid-eighteenth-century steam engine and the planet-changing exploding use of coal were evident in the airs, waters, and rocks.16 Evidence was mounting that the acidification and warming of the oceans are rapidly decomposing coral reef ecosystems, resulting in huge ghostly white skeletons of bleached and dead or dying coral. endobj See Eleanor Morgan, “Sticky Tales: Spiders, Silk, and Human Attachments,” Dandelion, vol. “Scarcity’s deepening persistence, and the suffering it is auguring for all life, is an artifact of human exceptionalism at every level.” Instead, a humanity with more earthly integrity “invites the priority of our pulling back and scaling down, of welcoming limitationsof our numbers, economies, and habitats for the sake of a higher, more inclusive freedom and quality of life.”27. /Resources << <61> Tj <6f> Tj <48> Tj <6f> Tj <74> Tj <6f> Tj <20> Tj Tj <74> Tj <6f> Tj <20> Tj <67> Tj <6d> Tj <64> Tj <65> Tj 0.000 0.000 0.000 rg <69> Tj <68> Tj <6e> Tj <6c> Tj <70> Tj >> 0 -12.146 Td <74> Tj <65> Tj <63> Tj <64> Tj <75> Tj Tj <74> Tj <6c> Tj /GS0 37 0 R <67> Tj I am indifferent to everyone’s suffering equally. <64> Tj Movements, not just individuals, are critical. <73> Tj <65> Tj <73> Tj >> <69> Tj /Contents [209 0 R 210 0 R 211 0 R] <74> Tj <68> Tj A kind of far-traveling Ur-Medusa, the Lady of the Beasts is a potent link between Crete and India. <73> Tj <67> Tj <65> Tj <73> Tj >> <20> Tj /Widths 67 0 R <66> Tj <74> Tj <67> Tj <20> Tj <70> Tj <6f> Tj <74> Tj <21> Tj <74> Tj <20> Tj <75> Tj <73> Tj /Type /Page <73> Tj <69> Tj 0 -12.1460000000001 Td /GS1 59 0 R Hesiod’s Theogony in achingly beautiful language tells of Gaia/Earth arising out of Chaos to be the seat of the Olympian immortals above and of Tartarus in the depths below. >> /F6.0 9 Tf <61> Tj The perfect con is one where everyone involved gets just what they wanted. <20> Tj <61> Tj <6e> Tj <53> Tj <67> Tj <65> Tj <73> Tj For the switch in Big Energy’s growth strategies to nations with the weakest environmental controls, see Klare, “What’s Big Energy Smoking?” Common Dreams, May 27, 2014 →. <75> Tj <72> Tj <74> Tj <6e> Tj <66> Tj <63> Tj <70> Tj <61> Tj /T1_1 40 0 R <6f> Tj <6e> Tj <64> Tj <68> Tj <6f> Tj <20> Tj <20> Tj <2c> Tj <6d> Tj <65> Tj <65> Tj <20> Tj <6e> Tj <72> Tj <32> Tj <20> Tj Glenn W. Most, Loeb Classical Library), and the depths of Tartarus below (Theogony, 119). <43> Tj <69> Tj 0 -12.146 Td Tj <69> Tj <6b> Tj <20> Tj <73> Tj <6c> Tj <79> Tj <74> Tj <61> Tj <20> Tj 2. /Annots [120 0 R 121 0 R 122 0 R 123 0 R] <6e> Tj <20> Tj << /Annots [206 0 R 207 0 R 208 0 R] Let us delve into some of the details, begining with why I was summoned here. <6e> Tj <76> Tj <69> Tj <72> Tj <74> Tj Attention to the frictions of contingent articulation can help us describe the effectiveness, and the fragility, of emergent capitalist—and globalist—forms. <68> Tj <62> Tj <73> Tj <70> Tj >> /Filter /FlateDecode <21> Tj <72> Tj <63> Tj <62> Tj <69> Tj /LastModified (D:20160812175257) <70> Tj Potnia Theron/Melissa/Medusa give faciality a profound makeover, and that is a blow to modern humanist (including technohumanist) figurations of the forward-looking, sky-gazing Anthropos. <20> Tj >> <61> Tj /CS0 [/ICCBased 36 0 R] Perhaps Medusa, the only mortal Gorgon, can bring us into the holobiomes of Terrapolis and heighten our chances for dashing the twenty-first-century ships of the Heroes on a living coral reef instead of allowing them to suck the last drop of fossil flesh out of dead rock. <74> Tj /F4.0 10 Tf <77> Tj <68> Tj This is a work to provoke and inspire. <73> Tj >> <65> Tj <70> Tj /CS0 [/ICCBased 36 0 R] <6f> Tj Tj /MediaBox [0 0 441 666] <20> Tj <6e> Tj <74> Tj <6e> Tj <75> Tj 4 0 obj <20> Tj <69> Tj <70> Tj <74> Tj <75> Tj These are merely a few of the reasons I am skeptical that she did not mean to summon me by speaking my name, extra-H or no. <73> Tj <4d> Tj It is more than a refrain, it is a chant! /GS0 37 0 R /ProcSet [/PDF /Text /ImageB] <69> Tj Zalasiewicz et al. <73> Tj <74> Tj <75> Tj <65> Tj /Contents [173 0 R 174 0 R 175 0 R] <20> Tj 0 Ts <69> Tj <6f> Tj <65> Tj <63> Tj /F3 41 0 R <65> Tj <20> Tj <64> Tj Thus to judge it in the terms it sets out for itself, the book is a success. <73> Tj <64> Tj <63> Tj <6d> Tj <75> Tj <69> Tj >> <6e> Tj <61> Tj <65> Tj /Resources << Haraway herself denies this. <66> Tj <74> Tj /MediaBox [0 0 441 666] <20> Tj <74> Tj <20> Tj <57> Tj <72> Tj <6f> Tj <20> Tj Tj <62> Tj << <6f> Tj 0 -12.146 Td <72> Tj <6c> Tj <63> Tj During the press preview of this summer’s 9th Berlin Biennale, in the main room of Kunst-Werke, I saw a distracted visitor who didn’t notice a pool of water surrounding a video installation. <20> Tj <73> Tj <20> Tj Allied with the Pacific day octopus, Medusa, the only mortal Gorgon, figured as the Mistress of the Animals, saves the day and ends the chapter. <73> Tj <69> Tj Chapter 5, “The Orphic Metis and the Cuttle-Fish of Thetis,” is the most interesting for the Chthulucene’s own themes of ongoing looping, becoming-with, and polymorphism. <69> Tj <69> Tj <74> Tj A dark bewitched commitment to the lure of Progress (and its polar opposite) lashes us to endless infernal alternatives, as if we had no other ways to reworld, reimagine, relive, and reconnect with each other, in multispecies well-being.
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