The AKG catalog boasted that the S12 could alter the mic’s polar pattern “without clicking or other disturbing noises [up]on switching,” and further that neither the mic’s sensitivity nor frequency response varied with the pattern. TELEFUNKEN Elektroakustik is proud to manufacture the C-12 once again. If there were ever a microphone that was the epitome of classic, hi-fidelity sound, it would be the C12. Most important, the head grilles are different, so acoustics are also different.The photo of the black mic is not an AKG model but was made by an east German company by the name of Thiele, a rather unknown brand from the forties and fifties. TELEFUNKEN Elektroakustik is proud to manufacture the C12 once again. Originally developed by AKG Acoustics in 1953, the C12 is revered for its smooth, airy frequency response. Download the AKG C 12 schematic The Telefunken Models ELA M 250, 251 I mentioned in another thread that while utilizing the tele c12 and the the c12 remic setting in the UAD ocean way plugin, the wet and dry frequency response and tone was just about the same. The S 12 control unit is connected to the N 12 power supply unit by the RL 12 remote control cable, and the power supply unit to the micro­phone by the MK 12 mic cable. S/N Ratio: 85 dBA net (560 g), shipping weight 29 lbs. They both use the CK 12 capsule, T/14 transformer and either the 6072A tube (US version) or the AC701 (Europe), but the grid coupling, cathode bias and capsule polarization are different.Third, the body style of the C 12 and ELA M 250 are not the same. The design of the C12 was unique in its remote capsule polarizing technology. Considered by many to be the finest sounding microphone ever produced, original C12 microphones are still in use in recording studios throughout the world. Later the M 49 used K 47 capsules and Neumann Berlin power supplies.”. The first of the AKG line of selectable pattern condenser mics, the C-12 is revered for its smooth, airy response. It works great and I have used it on the KPIG live radio shows on Sunday mornings with Sleepy John. Tube: TELEFUNKEN Elektroakustik 6072A. Maximum SPL (for 1% THD): 135 dB. THD at 1kHZ at 1Pa (Amplifier): < 0.25%. OEM versions of the C 12 were also produced for Siemens (SM 203, SM 204) and for Telefunken (ELA M 251). 3.2 oz. Tested and screened Telefunken Elektroakustik. Each microphone features a newly manufactured CK12 capsule built from the original manufacturer's specifications. Its CK 12 capsule was the first to have the acoustic “fingerprint” in its frequency response for which other AKG micro­phones have become famous: a small dip at around two kHz and a well-chosen presence rise. C 12 Microfoon met slang. The Telefunken C-12 features its CK12 capsule, Haufe manufactured output stage and 6072a vacuum tube, … Capsule: 25mm Dynamic Moving Coil. Maximum SPL (for 1% THD): 130 dB. This may be far from scientific but it leads me to believe that Tele pretty much nailed it. 12.8 ozs. THD at 1kHZ at 1Pa (Amplifier): < 0.3%. The AKG C 12 is considered “the holy grail” of micro­phones by audio engineers for its beautiful three-dimensional vocal quality—a result of the combination of its hand-tensioned, edge-terminated AKG capsule and the rare GE 6072 triode tube. TF51 - We've refined the AR-51 to inch a little closer to the ELA M 251E sweet spot. The AKG C 12 was introduced in 1953 and production continued until 1963. Telefunken Copperhead Frequency Response of Beckett Keery Read about Telefunken Copperhead Frequency Response storiesor see Sacoche [2020] and on En Kyckling. Sensitivity: 24.5 mV/Pa, ±1 dB. telefunken c12 Wie schon das Original bietet das C12 von Telefunken einen seidenweichen und luftigen Höhenbereich ohne dabei hart oder künstlich zu wirken. The unit shown in these photographs was won on eBay for $6,862 on October 23, 2005. The amplifier circuit utilizes a European-made Haufe (manufacturer of the original) output transformer built to match the original, and a microphone grade NOS GE JAN 6072a vacuum tube. Transformer: Haufe T14/1. Capsule: TELEFUNKEN Elektroakustik CK12 - Edge Terminated Large Diaphragm. (13.5 kg). 50.000 producten staan klaar voor verzend. Power Source: External Power Supply. Frequency Range: 50 Hz - 18 kHz, ±3 dB. Transformer: TELEFUNKEN Elektroakustik BV8. In additional to various voltage differences, the Telefunken-branded mics had pattern-control switches on the microphone body — whereas the C12 put the pattern switch on the external power supply. Directional Characteristics (nine different positions): omni-directional. Der Mittenbereich wird klar und deutlich eingefangen und verleiht dem Signal eine natürliche Präsenz während der Tiefenbereich kompakt und fokussiert abgebildet wird. Frequency Response: ± 2 dB related to published curve. The C 12 is remotely controlled for pattern by polarizing the rear diaphragm with a separate variable voltage from the power supply, while the ELA M 250/251 has switches in the capsule assembly that change its polarization pattern. Interesting. Its CK 12 capsule was the first to have the acoustic “fingerprint” in its frequency response for which other AKG micro­phones have become famous: a small dip at around two kHz and a well-chosen presence rise. Frequency Range: 20 Hz – 20 kHz, ±3 dB. Sensitivity: 1.0 mV/µbar (–60 dB re 1 V/dyne/cm, Impedance: 50/200 ohms (change solder lugs), Mains Connection: 110/125/145/220/245 volts, Weight: 1 lb. Originally developed by AKG Acoustics in 1953, the C12 is revered for its smooth, airy frequency response. The extended low frequency response and new headgrille do a lot for this.-Capsule - Same CK12-style edge terminated capsule as the AR-51-Tube - This has been changed to the same 6072A we use in our 251E and C12. Power Source: External Power Supply. The Telefunken Elektroakustik C-12 is also known as: M12, Ela M 12. Originally developed by AKG Acoustics in 1953, the C12 is revered for its smooth, airy frequency response. The C12 shares a capsule, tube, and amplifier-circuit similarities with the Telefunken Ela M 251E, which was commissioned by Telefunken and built by AKG. The first M 49 mics were manufactured with M 7 capsules, and Mayhak Hamburg power supplies were used. Output Impedance: 325 Ω. Output Impedance: 200 Ω. Sensitivity: 10 mV/Pa, ±1 dB. Weight: 430 g. … Capsule: TELEFUNKEN Elektroakustik M7 - Center Terminated Large Diaphragm. The Telefunken C12 Multi-Pattern Tube Microphone is a historic replica of the renowned AKG C-12 vintage tube microphone. Tube: TELEFUNKEN Elektroakustik VF14K. Specifications Original C 12s regularly sell for $10,000 to $15,000 and some have fetched upwards of $30,000—many times their original price (even factoring inflation) thanks to its combination of rarity and high performance. ©2004-2020 - Studio Economik Inc.® All Right Reserved. The design of the C12 was unique in its remote capsule polarizing technology. The C 12 was the world’s first remote-controllable multi-pattern large-diaphragm micro­phone, and about 2,500 of them were produced during its ten-year run. Geld terug Ruilen binnen 30 dagen TELEFUNKEN AR-51. Frequency Range: 20 Hz - 20 kHz, ±3 dB. I've come to the conclusion that when in a situation where I have had both vintage and modern ... the wet and dry frequency response and tone was just about the same. Telefunken needed a quality condenser, and AKG stepped in.The differences between the C 12 and the ELA M 250 are small but important. Sensitivity: 1.54 mV/Pa, ±1 dB. The result is a microphone with superior high frequency detail, a rich and powerful low end, and a delicate and intimate "air" that is usually found only in microphones several times the price. Of course Neumann still made the U 47 for many years. Output Impedance: 200 Ω. The design of the C12 was unique in its remote capsule polarizing technology. The 251 included these patterns and also the figure eight.The second difference is in the circuit. The 250 has two patterns, Omni and Cardioid. The C 12 is still influencing the art of large-diaphragm condenser recording micro­phones more than fifty years after its introduction. In addition to three basic characteristics, omni-directional, cardioid and bi-directional, six intermediate patterns (including hypercardioids) are available. The Ela M 12 / C12, like all of Telefunken Elektroakustik’s “Platinum Series” mics, is covered by a transferable, limited lifetime warranty. Also, the tube in the 251 was inverted, to shorten the distance between the capsule and the tube connection. I bought this on ebay five years ago and rewired it in the spirit of the ELA M 250. Mr. Warshaw writes:The Telefunken ELA M 250/251 was made for Telefunken by AKG after Neumann discontinued its OEM production of the Telefunken U 47. The C 12 and ELA M 250 circuits are similar but not identical. The mic was released in 2003. Transformer: TELEFUNKEN Elektroakustik T80. Considered by many to be the finest sounding microphone ever produced, original C-12 microphones are still in use in recording studios throughout the world. Dimensions: 184 mm L x 48 mm Dia. February 2008 update, thanks to Mr. Holger de Buhr: “The truth is that the first remote-controllable multi-pattern large-diaphragm micro­phone was the M 49, originally designed by the Nordwestdeutsches Rundfunk, Hamburg, in 1949 (early postwar German state broadcaster, later NDR and WDR). Microphone Set USB studio large diaphragm microphone with USB connection for direct operation on the computer, No additional drivers required, Directional characteristic: cardioid, Frequency response: 30 - 18000 Hz, Sensitivity: 25 mV / Pa, Max. The ability to change the capsule's polar response variably between cardioid, omnidirectional and figure 8 (and six intermediate patterns between) from the power supply instead of with switches on board the microphone made the C12 the one of most versatile large diaphragm tube microphone of its time. Telefunken C12 - Tube Condenser Microphone. It has been specially designed for use in sound recording and broad­casting studios, and is the choice of many studios both at home and abroad.Nine different directional characteristics can be selected by means of a remote control unit without any change in frequency response or sensitivity. Capsule: CK12 - 25mm Edge Terminated Diaphragm, Polar Pattern: 9-Pattern Variable including Omnidirectional, Cardioid and Bidirectional, Power Supply: M 910 - 7 Pin Female XLR Input, 3 Pin Male XLR Output, Polar Pattern Selector, Cable: M 810 - 25 ft Sommer Cable, Vintage Compatible 8 Pin Female Stand Mount, 7 Pin Male XLR, Flight Case: FC10 - Vintage Style Locking Combination Flight Case, FC10S for Stereo Set. The C12 telefunken new has sounded better to me against many c12s. The TELEFUNKEN AR-51 was created to bring the classic circuit of the ELA M 251E and C12 into a new, more affordable microphone. Its silky smooth top end provides plenty of air without sounding harsh. 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